May'09
14

Guitar Hero: Good? Evil?

By oneoverphi

Just think­ing on my pre­vi­ous post, opin­ion on the rel­a­tive value of Gui­tar Hero is quite var­ied among musi­cians. On the one hand you have some who vil­ify it and on the other hand you have those that praise it. While up the mid­dle is the “Relax, it’s just a game” crowd.  I used to play UmJam­mer Lam­mey in the day, which is more-or-less Gui­tar Hero with­out the fancy guitar-shaped con­troller. It was fun, I mashed but­tons, I rocked out in the ‘Cool’ level, I improved my antic­i­pa­tion and tim­ing (maybe). Now I’ve never tried Gui­tar Hero, so I feel I’m unfit to com­ment on whether or not I like it. Though I can see both the pros and the cons of vir­tual musi­cian­ship, I don’t have the data on how this is play­ing out in the real world. My ques­tion to you, dear reader, do you feel there is any­thing of value in Gui­tar Hero, or is it just a dis­trac­tion from expe­ri­enc­ing the real, tan­gi­ble world of play­ing  a guitar?

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2 Responses to “Guitar Hero: Good? Evil?”

  1. TDW

    Orig­i­nally I had played it once and thought it was frus­trat­ing, that as a gui­tarist, I could play these songs in real life but was sub­ject to press­ing some ran­dom but­tons in time with the music, and not doing par­tic­u­larly well (first shot though).

    That was until Sat­ur­day night when I played that World Tour thing with drums and every­thing else. THAT was fun. Maybe it was the alco­hol, but it was def­i­nitely fun, and I thought the drum­ming part in par­tic­u­lar was quite good, and when I saw how hard it is to play the gui­tar parts on expert mode I was quite blown away — yet equally frus­trated at why the bassist in my band was bet­ter at gui­tar hero than at real bass gui­tar (obvi­ously he’d spent more time prac­tic­ing gui­tar hero).

    At the end of the day it’s just a game and it’s all fun, and if any­thing it should be a good boost to the sale of instru­ments if some kids decide that the real thing might be more reward­ing. And it takes some seri­ous skill to be good at both.

    #52
  2. I fig­ure that some musi­cians are get­ting their nose bent out of shape over Gui­tar Hero in the same way that some record­ing engi­neers poo-poo Garage­band. Both things are pack­ag­ing up hard earned knowl­edge and expe­ri­ence, mak­ing the rewards avail­able to those who haven’t gone through the same lake of fire that they them­selves did. But I think that at the end of the day, we all recog­nise the skill and knowl­edge that go into being a gui­tarist or engi­neer. I don’t think any­one who plays Gui­tar Hero in lieu of an actual gui­tar is delu­sional about their own musicianship.

    #53

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