A Thing I’ve Learnt About Arranging
I shouldn’t be writing this. I should be working on my arrangement. I have less than a week to get this all done. As indicated in my previous post, I’m preparing a piece to enter the CBC Evolution contest. What I’m working on has a large amount of instrumentation. A full orchestra is going by the end of it is a raucous display of joy. If any of you fine reader has scored parts for an orchestra, then you know that it can be very taxing. Trying to get everything to fit together without sounding like you scored it by splattering ink on the sheets is a challenge. If I’ve learned anything by now it is that less is more. I will say it again louder for emphasis: LESS IS MORE.
There are times when you should be ruthless in cutting. Be bold and just snip that part out. It wasn’t working and it should go. Don’t look back or think twice. For instance: the bridge was sagging. I tried to prop it up with two layers of counterpoint on violins and trumpet over arpeggiated violas. It wasn’t working one damn bit. It sounded like Bach barf. So I cut it. Rather than flog away at something that wasn’t working I came up with something that did. By just using the trumpets to accent about every 4 measures and having the violins arpeggiate at half the note value of the violas everything became clear. Parts weren’t fighting with each other for attention.
Having everything sounding all the time is sure to overwhelm any composition. A song needs space to breathe, where phrases can surge in and out of existence. It keeps your listeners attention because there is always something new to listen to. It pulls you in directions and a back and forth dynamic emerges. You enter into a conversation with the piece rather than being talked to, or worse yelled at, by it. Eliminating superfluous and jarring parts will strengthen your work to no end, so be strong and sharpen your scissors.
Related Posts:
- Don’t Get Stuck (1.000)
- Say NO to Angst (1.000)
- Songs to Get You Laid (1.000)
- Writer’s Block Will Destroy Us All (1.000)
- A Chord Transposition Chart (1.000)

