<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: Writer’s Block Will Destroy Us All</title>
	<atom:link href="http://www.euphonicremarks.com/2008/08/writers-block-will-destroy-us-all/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.euphonicremarks.com/2008/08/writers-block-will-destroy-us-all/</link>
	<description>All things music for musicians, and music lovers</description>
	<lastBuildDate>Thu, 15 Apr 2010 13:30:27 -0700</lastBuildDate>
	<generator>http://wordpress.org/?v=2.8.4</generator>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
		<item>
		<title>By: Introduction to the Circle of Fifths &#124; euphonicremarks.com</title>
		<link>http://www.euphonicremarks.com/2008/08/writers-block-will-destroy-us-all/comment-page-1/#comment-73</link>
		<dc:creator>Introduction to the Circle of Fifths &#124; euphonicremarks.com</dc:creator>
		<pubDate>Tue, 15 Sep 2009 04:52:38 +0000</pubDate>
		<guid isPermaLink="false">http://euphonicremarks.wordpress.com/?p=47#comment-73</guid>
		<description>[...] So is that all you do with the cir­cle of fifths? Trans­pose things? Well the cir­cle is a tool pri­mar­ily for work­ing with rela­tion­ships between keys, but I find that it can be use­ful for inspir­ing chord pro­gres­sions. While it is not a har­monic tool, chords whose roots are near the cho­sen key do tend to sound bet­ter together. Fish­ing around in the gen­eral area of the key can some­times lead to novel and good sound­ing pro­gres­sions, and break writer’s block. [...]</description>
		<content:encoded><![CDATA[<p>[…] So is that all you do with the cir­cle of fifths? Trans­pose things? Well the cir­cle is a tool pri­mar­ily for work­ing with rela­tion­ships between keys, but I find that it can be use­ful for inspir­ing chord pro­gres­sions. While it is not a har­monic tool, chords whose roots are near the cho­sen key do tend to sound bet­ter together. Fish­ing around in the gen­eral area of the key can some­times lead to novel and good sound­ing pro­gres­sions, and break writer’s block. […]</p>
]]></content:encoded>
	</item>
</channel>
</rss>
