Writer’s Block Will Destroy Us All
Writer’s block is a real bitch. I’m trying to get something new written before going to an open stage later this week, but I’m having a hell of a time. Nothing I’m coming up with feels inspired enough. Sure I could knock out another three chord trick, or four chord turnaround, but deep within is this nagging feeling that I’ve done it all before.
I fired up the keyboard last night in an attempt to get the juices flowing. I normally compose on the guitar, which usually means I create a harmonic structure first then flesh in a melody. Clearly it’s not working for me right now so I thought I should approach it from the other end and build up a melodic structure, which I find easier to do on the keys. It’s also easier to flip around in the various modes. I’ve never really composed with a specific mode in mind. Having an artificial limit may help me from falling into the old ruts. Alas, two hours of tinkling away have yielded nothing.
If I meditate hard enough on the circle of fifths like it were some mandala, maybe I’ll reach an enlightened state where music just exists within me and all I have to do is play. Until then I must slog through writing, discarding, writing, discarding, writing, discarding.
I think some of the problem is attaching too much importance to the work itself. Sometimes when I’m sketching my best work is done on scraps of craft paper. Quick one offs that I never expect to go anywhere or be shown to anyone. I should try this approach. Just start recording and go. Who cares what happens, just play. If there’s anything worth saving I’ll have it recorded.
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- Can You Make a Record In One Month? (1.000)
- Respect The Form of a Song (1.000)
- Redeem Your Lyrics With a Memopad (1.000)
- Say NO to Angst (0.217)


[…] So is that all you do with the circle of fifths? Transpose things? Well the circle is a tool primarily for working with relationships between keys, but I find that it can be useful for inspiring chord progressions. While it is not a harmonic tool, chords whose roots are near the chosen key do tend to sound better together. Fishing around in the general area of the key can sometimes lead to novel and good sounding progressions, and break writer’s block. […]