Apr'10
04

Best Free VST Amp

By oneoverphi
Best Free <span class=VST Amp" />

I’ve been doing a lot of record­ing lately and have had need of a good vir­tual gui­tar amp. I wanted some­thing that sounded good and most impor­tantly, free. It seems that these two require­ments rarely go hand in hand. After plow­ing through many weak amp sim­u­la­tors I finally hit pay­dirt. Acme­BarGig has the best vir­tual amp I’ve ever come across, and free to boot.

If you only have one gui­tar and one amp, and you’re record­ing on a shoe­string bud­get, you owe it to your­self to down­load Shred. This VST plu­gin has it all: pickup replace­ment, mul­ti­ple heads and cab­i­nets, var­i­ous effects (includ­ing an absolutely won­der­ful tremolo), mic place­ment and dis­tance, adjust­ment of room shape, size, and mate­ri­als. With all the com­pu­ta­tions this plu­gin has to make, you may expect a pretty hefty latency. Not so. I’m able to mon­i­tor through this plu­gin with­out any prob­lems, which is great when I’m putting down tracks and want to react to the sound I’m get­ting. If there is a slight delay, tak­ing out the pickup replace­ment from the chain takes care of it.

It has a bucket of pre­sets to get you started, but you have the abil­ity to tweak every­thing until your heart is con­tent. Hon­estly, I’m through look­ing for VST amps, I’ve found my win­ner. Every­thing that I’d tried before either sounded bad, lacked fea­tures and flex­i­bil­ity, or down­right just crashed. Go check Shred out and I’m sure it will be your go-to plu­gin for get­ting an array of great gui­tar sounds.

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Jan'10
24

Places to Watch Music Documentaries

By oneoverphi
Places to Watch Music Documentaries

If you’ve got some spare time, and want to learn more about some of your favourite artists? Go over to doc​u​men​tary​heaven​.com and check out the music cat­e­gory. Also check out snag​films​.com for an abun­dance of music doc­u­men­taries. And as always there is CBC. Just go to Inside the Music Audio Archives. Don’t for­get music​filmweb​.com, another tasty treat. Now go, enlighten yourselves.

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Jan'10
05

Respect The Form of a Song

By oneoverphi

Where has the time gone? Between work, fam­ily, and  out­side projects I’m afraid I’ve neglected to post. Well it’s time to rem­edy this. The past two months have been quite busy for me. I’ve been writ­ing up a storm of songs, though few are com­plete. There are miss­ing lyrics here, unfin­ished arrange­ments there, and now I’m left with a pile of half-songs. If I were to make a res­o­lu­tion this year, it would be to bone up on my stick-with-it-ness.  If you don’t have a job writ­ing music then you end up eek­ing out time wher­ever you can. I often end up work­ing on melodies on my drive to work and back. It is a great time when you don’t have any dis­trac­tions (other than dri­ving), and no one to hear you fum­ble while you try things out. The only trou­ble is remem­ber­ing what I came up with. I usu­ally just end up repeat­ing a catchy melodic phrase in my head until it is burned in there, or I get home and can dis­ap­pear to the music room for a few minutes.

Frankly it often takes me months to fin­ish a song. There are few excep­tions when some­thing came together in a few days, but that is a rar­ity. I have pieces of songs that have been put on hia­tus for years, only to be dragged out again when I’ve dis­cov­ered a miss­ing piece that I can now incor­po­rate. For me, this lengthy writ­ing process hap­pens because I think that songs have a cer­tain way that they want to be. No, I don’t think that a song is cog­nizant of itself, or has a self-image, or is like some fully formed spirit that is ready to be born. This is just metaphor. To clar­ify: I think that there is a way in which a good song is put together that is right for that par­tic­u­lar song. I feel that in the writ­ing process you need to work with that, and respect that in order to have a solid flow.

Say you’ve come up with this great riff, and you want to expand it into a full tune. That riff will have a per­son­al­ity. It will have a tone, and poise. It will sug­gest to you where it wants to go, melod­i­cally speak­ing. If you do not lis­ten to that sug­ges­tion, if you try to make that riff into some­thing it is not, or fit it into other struc­tures that it does not get along with, then that song is des­tined to lan­guish in some note­book. The imag­i­nary, future song that you were going to write from this seed, had a form it was going to take. Your job as a song­writer is to dis­cover that form.

I see this hap­pen in my own writ­ing. I’ll write out some lyrics, sit on them for awhile, then try to fit a melody around them. Some­times the style I had in mind at the time the lyrics were writ­ten is com­pletely not the style that ends up work­ing. The words have a cer­tain rhythm, and nat­ural into­na­tion that sug­gest one type of melody over another. When the lyrics were first writ­ten, those forms weren’t appar­ent as I was not focus­ing on con­struct­ing melody at that time. If I were to try to stick with the orig­i­nal vision, the song may sound awk­ward. I would not have respected the way the melody wants to be.

Never throw any­thing out. I have notes, binders, and scraps of paper going back to almost the time I started song­writ­ing. The rea­son for this is that, snatches of tunes, a neat chord pro­gres­sion, a cou­ple of lines that you wrote years ago may find their way into the song that you are writ­ing today. Mine your fail­ures for gold. Often you will find that the songs that didn’t work, failed because part of them wanted to be some­thing else.

For exam­ple a song that I’m work­ing on now, the refrain comes from a song that I wrote about 10 years ago. The refrain I had always liked and it was pretty much com­plete, with the excep­tion of one line that needed tweak­ing. The verses that I had orig­i­nally wrote to go with this refrain didn’t make the grade. There was no cohe­sion and lyri­cally it was a mess. So that song stayed in the note­book. The new verses come from a song that I had writ­ten a few years ear­lier. That song I deemed a fail­ure for the same rea­sons as the first. It did have one thing going for it: musi­cally the verses were quite strong. It wasn’t until recently that I was going through my notes revis­it­ing old tunes when I saw that these pieces could be com­bined and work well. I had dis­cov­ered parts of songs that wanted to be together, but I didn’t know it at the time. Now the only thing left is to write new lyrics for the verse.

If you ever find that a song just isn’t work­ing for you, don’t trash it. Tear it apart, save all the pieces, and rebuild it, work­ing  in the direc­tion that the song is tak­ing you, because you built it wrong in the first place going in the direc­tion that you wanted. I guar­an­tee you will end up with bet­ter songs for it.

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Nov'09
03

Get Your Song Onto the CBC Radio 2 Website

By oneoverphi
Get Your Song Onto the <span class=CBC Radio 2 Website" />

If you’ve got a song about a place in Canada, or the gump­tion to write one, then send it in to CBC Radio 2. This may be your chance to be fea­tured on the radio. CBC has been doing their Songquest for a few weeks now. The gist of it was that they gath­ered sug­ges­tions for places in Canada to have a song writ­ten about them. One song per province/territory. Then they con­ducted a vote for the places to write about and the artists to write the songs. Well all that is over and done with now with the songs to be revealed on Novem­ber 23rd, but in keep­ing with the theme CBC is tak­ing in sub­mis­sions from any Tom, Dick, or Harry who wants a piece of the action. Take a gan­der at the lat­est sub­mis­sions. Think you can do bet­ter? Then roll up your sleeves and get’er done!

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Oct'09
27

Cool Music Visualization

By oneoverphi
Cool Music Visualization

Go check out these visu­al­iza­tions of music by Matthias Dittrich.

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Oct'09
08

Musical Flash Gizmo Roundup

By oneoverphi

If you’re look­ing to kill some time and feed musi­cal cre­ativ­ity then click away dear readers.

www​.ball​drop​pings​.com/​js/ — Sounds a lit­tle dirty, but it’s a fun pro­gram where you make lit­tle tunes by hav­ing bounc­ing balls strike lines that you draw in space with your cursor.

www​.thep​ix​elplant​.net/​d​m​f​/​d​m​f​.​h​tml — Tinydrum3.0 is a cute lit­tle sequencer. Try the ran­dom set­ting to get some tune ideas.

www​.ron​win​ter​.tv/​d​r​u​m​s​.​h​tml — Turn your key­board into a funky drum machine.

www​.datadreamer​.com/​2​d​a​u​d​i​o​/​p​r​o​j​e​c​t​t​w​o​.​h​tml — Drag chan­nels into a round mixer.

www​.dothedaft​.com/​i​d​a​ft/ — Daft Punk sound­board twiddling.

www​.inudge​.net/​i​n​d​e​x​.​e​n​.​h​tml — Another sequencer. This one has 8 dif­fer­ent sounds you can mix together.

www​.dys​pxl​.com/​p​l​a​y​/​o​r​bs/ — A sequencer where the grid is arranged in circles.

www​.zanorg​.com/​p​r​o​d​p​e​r​s​o​/​a​u​t​o​m​a​c​h​i​n​e​.​htm — Mix up techno with sexy french woman voices.

www​.hob​nox​.com/​s​i​d​s​p​v​6​k​i​p​p​g​q​j​h​5​f​1​1​5​c​k​j​v​n​3​b​p​6​/​p​a​p​a​y​a​-​t​h​e​m​e​s​/​h​o​b​n​o​x​2​0​0​7​/​n​o​x​t​o​o​l​/​a​u​d​i​o​/​a​u​d​i​o​a​p​p​l​i​c​a​t​i​o​n​.​s​wf/ –Play with vir­tual audio equipment.

www​.deeper​beige​.com/​s​i​t​e​/​s​i​l​l​y​/​f​l​a​s​h​/​f​l​a​s​h​g​u​i​t​a​r​/​f​l​a​s​h​g​u​i​t​a​r​.​h​tml — Play a vir­tual guitar.

www​.buckle​.com/​s​t​a​t​i​c​/​b​s​c​e​n​e​/​g​a​m​e​s​/​d​r​u​m​s​/​d​r​u​m​s​.​h​tml — Play vir­tual drums.

www​.jam​stu​dio​.com/​S​t​u​d​i​o​/​i​n​d​e​x​.​h​tm/ — Play with a vir­tual band.

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